Ebook Giveaway & Interview: Mary Turzillo, Author of Mars Girls

Join me in welcoming Mary Turzillo to the blog! Apex Magazine has put together this lovely blog tour to celebrate Mary’s newest book, Mars Girls. Learn about science fiction poetry and Mary’s involvement in fencing! Make sure you check out the giveaway at the bottom of the post to see how to win an ebook copy of this science fiction novel.

If you could give any literary villain a happy ending who would you chose?

I’m going to be very unoriginal here. I wish Darth could change back into Anakin, through time travel, I suppose, to be reunited and reconciled with Padme, then rejoice in the birth of Luke and Leia. But the Star Wars universe so far has not included time-reversal, so I guess that’s out. Oh well.

The public library of your dreams has arrived! What special collections does it hold?

All the old pulps. All the Ace Doubles. Oh, wait! It ALREADY exists: The Judith Merril Collection, in Toronto! It’s a great institution, run by fabulous librarians. If you are ever in Toronto, don’t miss it. And there’s a great poutine restaurant nearby.

If you could, what book or movie or TV series would you like to experience for the first time all over again and why?

Oh, that’s an easy one. Star Wars. It was so fresh when it first came to the screen, so epic. And I’d like to see it without knowing what happened to all the actors later on, because some of that is so sad. I really felt there were more imaginative leaps in the first Star Wars movies than in any previous science fiction movie. The vehicles, the aliens, the bots — any single one of them you could find models for in previous movies, or at least some original thinking. But Star Wars just piled on the neat stuff, scene after scene. And the other thing was a beautiful, very young woman acting as a warrior and a hero. Then more of the same as the series developed.

I also would like to see Scanners and the original The Thing and maybe the original (?) Invasion of the Body Snatchers. A little dark, I know. I do love Donald Sutherland’s work.

What has been your worst or most difficult job? How does it compare to writing?

I hated and loved teaching at Trumbull campus of Kent State. A few of my students were difficult; one class of nursing students tried unrelentingly to drive me from the classroom. They left a preserved pig’s ear on my lectern. They hazed the best student in the class. They shoved a cake in my face. I had a student who wrote themes that were thinly disguised death threats — meaning, my death.

But I was heavily involved with art and theatre students, and they were so inventive and so eager to learn and create, that I am still friends with many of them years later. Some of them have become published authors. Some are college profs, following in my footsteps. I created costumes for Shakespeare shows that they were in. I coached them on lines. I was even in shows with them, playing a witch in Macbeth and Richard III’s mother.

One of my favorite memories: In my office one afternoon, suddenly a human body with an elephant head appeared in the open door. It was one of my Shakespeare I students, just finished with his prosthetics project from his Theatrical makeup class. A few minutes later, the victim of a horrible accident appeared. Blood all over, broken nose, black eye, missing teeth. Another of my student’s prosthetic makeup projects. Later, a green alien, with huge bulging eyes and tentacles sprouting from his bald head. Same deal. A Cthulhu head. An ancient old lady. They each challenged me to identify them, and I could only match my students’ names to about half of them. That was before I had an iPhone, or I’d share pictures. If only!

Those were the kids I loved, the best students in the whole world. The best people.

I loved the non-theatre students, too. They were original, creative, full of spirit and hope. I still know many of them as friends.

You are stuck in space in dire straights. Which science fiction authors would you want with you?

My husband, Geoff Landis, for obvious reasons. But then I’d choose an additional crewmate with an engineering background, like Arlan Andrews, Vernor Vinge, or Arthur C. Clarke. Of Course I’d want a physician, and so I’d choose F. Paul Wilson and Janet Asimov, with Robin Cook for second and third opinions, in case I had a space-related injury. Octavia Butler, because she could think her way out of anything. I wish she was still with us! Joan Slonczewski in case we needed a little genetic engineering done.

If you were asked to create the syllabus for a college class in Science Fiction & Fantasy poetry, what works would be on there as required reading? As passing discussion?

Wow, if only! It would need to contain be an enormous number of poems, so let me just sketch out my brainstorming for this fantasy course.

First Unit: Roots: I’d want poems from Shakespeare (selected passages from The Tempest) and maybe some passages from Dante and Milton, for perspective. Christina Rossetti’s Goblin Market, of course. A smattering of Poe. These would be early in the course, as teasers, because they would be beautiful and draw students in.

Second Unit: Theory: I’d direct students to follow sfpoetry.com. Essay readings would be assigned, particularly Suzette Haden Elgin’s The Science Fiction Poetry Handbook. I think there exists an essay called “Why Speculative Poetry Matters,” but I can’t find it right now.

Third Unit: An Explosion of New Masters Mid Twentieth Century: The next part of the course would be devoted to landmark spec poetry: I’d assign several anthologies, especially Edward Lucie-Smith’s Holding Your Eight Hands: an Anthology of Science Fiction Verse (1969) and Robert Frazier’s Burning with a Vision: Poetry of Science and the Fantastic (1984).

Fourth Unit: Twentieth Century Master: Contemporary Masters: Here I’d pile on Ray Bradbury’s When Elephants Last in the Dooryard Bloomed, with special attention to “If We Had Only Taller Been.” Then there would be slim volumes by Roger Zelazny, parts of Creatures of Light and Darkness, plus To Spin is Miracle Cat and “When Pussywillows Last in the Catyard Bloomed.” Next, Ursula Le Guin, not sure which volume, maybe New and Selected Poems.

Fifth Unit: Masters of the Last Thirty Years: I’d create an anthology of all the Rhysling winners. This would be quite a task, because I’d a) have to locate the authors or their literary estates and b) wrangle permission to reprint. So I might just do a Samizdat printing, or have students read the poems from the SFPpoetry website. (I won a 2nd one time, but it’s not up there, because they started listing them after my winning.) I’d also include Bruce Boston’s retrospective, Dark Roads; at least one collection by Jane Yolen; David Kopaska-Merkel’s The Memory of Persistence, Geoff Landis’s Iron Angels, F.J. Bergmann’s Constellation of the Dragonfly, David Cowen’s The Madness of Empty Spaces, one of Mary Soon Lee’s extraordinary Crowned series, and Marge Simon’s Unearthly Delights.

Plus poems by Ann Schwader, Kendall Evans, Suzette Haden Elgin, Bryan Thao Worra, Mike Allen, Deborah P. Kolodji, Sandra Lindow, Gary William Crawford, Josh Gage, Mari Ness, Rachel Pollack, John Amen, Lucy Snyder, J.E. Stanley, G.O.Clark, Tim Esaias, Scott Green, Robert Borsky, Denise Dumars, Bryan D. Dietrich, Linda D. Addison, Sandra Kasturi, David Clink, Stephanie Wytovich, Herb Kauderer, and Alessandro Manzetti.

Out of pure egotism, I would offer free copies of my own books, Lovers & Killers (Dark Regions, 2012) and Your Cat & Other Space Aliens (Van Zeno, 2007) as prizes for the best essays about some other poet.

I’d have a few words about SciFaiku, plus poets outside the spec fic community who write speculative and may not even know it: Billy Collins, Lola Haskins.

I’d alas not be able to do much with non-English-speaking poets —

Care to share an awkward fangirl/fanboy moment, either one where someone was gushing over your work…..or one where you were gushing over another author’s work?

I told Roger Zelazny I wanted to BE him. Roger was fundamentally very reserved, and just kind of froze in horror.

I also fed Algis Budrys an absolutely inedible meal at my house — burned to charcoal. And suggested he should watch his diet and stress level.

Another awkward moment was when I was at a Writer of the Future event and my boyfriend asked Larry Niven what he did for a living. This boyfriend soon became my ex-boyfriend. (Of course that was also because I took him to a Warren Zevon concert and he made fun of the drummer’s hairdo.)

Competitive fencing has been a part of your life. How did you get into it? How long have you been fencing?

I always wanted to fence. Swords, don’t all geeks love them? My departed son collected historical replica swords, so I feel a connection with him when I fence. My husband and I have been fencing for over five years and by pure luck I represented the US in Veteran’s (meaning over 40) Women’s Foil in Germany last year.

What is a recurring or the most memorable geeky argument or debate you have taken part in?

The whole debate about “mainstream” (meaning literary realism) versus speculative fiction. I hope we’ve finally put that puppy in the grave.

Of course now the big debate is that some factions (white hetero males) think there’s too much emphasis on social justic themes in fiction by women and minorities. It makes my head ache.

What is the first book you remember reading on your own?

Margaret Wise Brown’s The Golden Egg Book. The illustrations are so very Miyasaki-like, so pretty, in my memory. The second book I read was Clare Turlay Newberry’s April’s Kittens, a story about a girl who loves her cats, but has to choose between the mother cat and her kitten.

Finally, what upcoming events and works would you like to share with the readers?

I’ll be at Worldcon in Finland (if we ever make our plane rez). I’m trying to arrange some signings for Mars Girls. I’m in the process of arranging some bookstore signings. Check Facebook (I make all my posts public, so you don’t have to go through the whole “friend” chore.) and I have an Amazon Author Page.

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Book Blurb for Mars Girls:

Nanoannie is bored. She wants to go to clubs, wear the latest Earth fashions, and dance with nuke guys. But her life is not exciting. She lives on her family’s Pharm with her parents, little sister, and a holo-cat named Fuzzbutt. The closest she gets to clubs are on the Marsnet. And her parents are pressuring her to sign her contract over to Utopia Limited Corp before she’s even had a chance to live a litte. When Kapera—a friend from online school—shows up at her Pharm asking for help, Nanoannie is quick to jump in the roer and take off. Finally an adventure!

What Nanoannie and Kapera find at the Smythe’s Pharm is more than the girls bargained for. The hab has been trashed and there are dead bodies buried in the backyard! If that wasn’t bad enough, the girls crash the rover and Kapera gets kidnapped by Facers who claim her parents are murderers! Between Renegade Nuns, Facers, and corp geeks, Nanoannie and Kapera don’t know who to trust or where to go. Kapera only wants to find her parents so they can get to Earth Orbitals and she can be treated for her leukemia. Nanoannie wants to help her friend and experience a little bit of Mars before selling her contract to the first corp that offers to buy it.

Life isn’t easy when you’re just a couple of Mars Girls.

Author Bio

Mary Turzillo’s 1999 Nebula-winner,”Mars Is no Place for Children” and her Analog novel, AN OLD-FASHIONED MARTIAN GIRL, are read on the International Space Station. Her poetry collection, LOVERS & KILLERS, won the 2013 Elgin Award.  She has been a finalist on the British Science Fiction Association, Pushcart, Stoker, Dwarf Stars and Rhysling ballots.   SWEET POISON, her Dark Renaissance collaboration with Marge Simon, was a Stoker finalist and won the 2015 Elgin Award.   She’s working on a novel, A MARS CAT & HIS BOY, and another collaboration with Marge Simon, SATAN’S SWEETHEARTS. Her novel MARS GIRLS is forthcoming from Apex.   She lives in Ohio, with her scientist-writer husband, Geoffrey Landis, both of whom fence internationally.

Geoff and Mary ponder the question: what would it be like to fence in zero-G? and: What about if we were cats fencing in zero-G?

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Interview: Henry Herz, Editor of Beyond the Pale

HerzBeyondThePaleFolks, please welcome author and editor Henry Herz to the blog. I have thoroughly enjoyed his works (Nimpentoad & Beyond the Pale) and just knew Henry would be a lot of fun to interview. Want to know how Seth MacFarlane and Leonardo da Vinci are similar? Curious about Monster Goose Nursery Rhymes? Keep reading and enjoy!

What drew you to organizing an anthology that focused on the sub-genre of paranormal Young Adult/New Adult?

I love the phrase “beyond the pale”, and everything sprang from that. Beyond the Pale is an anthology of fantasy, urban fantasy and paranormal stories that skirt the border between our world and others. Was that my imagination, or did I hear something under my bed? What was that blurred movement in my darkened closet? There is but a thin Veil separating the real and the fantastic, and therein dwell the inhabitants of these stories.

The noun “pale” refers to a stake (as in impaling vampires) or pointed piece of wood (as in a paling fence). “Pale” came to refer to an area enclosed by a paling fence. Later, it acquired the figurative meaning of an enclosed and therefore safe domain. Conversely, “beyond the pale” means foreign, strange, or threatening.

Myths and beliefs that we would consider fiction or fantasy in modern literature once upon a time shaped history (think of all the hunts for unicorns & dragons). Do you see modern fantasy fiction affecting human cultures today and how?

Long ago, fantasy literature (although not labelled as such) directly influenced culture. There was no scientific method – people were scared of the unknown (falling off the edge of a flat earth, comets, dragon hunts, witch burnings, etc.). Today fantasy literature only affects pop culture. Few people seriously believe “Winter is Coming”, but it’s still fun to say at cocktail parties to establish geeky credentials. 🙂

HerzNimpentoadIf you could, what book/movie/TV series would you like to experience for the first time all over again and why?

I’d have to say The Lord of the Rings. I read it in elementary school. Reading it again for the first time as an adult would be a very different experience.

Conventions, book signings, blogging, etc.: what are some of your favorite aspects of promoting a book and what are some of the least favorite parts of promotion?

For me, book promotion is the hardest part of indie publishing. There is always more to do, and if you’re not careful, it can drown out the time for writing. My favorite part is attending events where I can meet the authors and the readers who appreciate their work. I moderated a fantasy/science fiction panel at San Diego Comic-Con featuring award winning and NY Times bestselling authors David Brin, Jason Hough, Jonathan Maberry, Rachel Caine, Jim Butcher, and Marie Lu. That was also the initial public unveiling of Beyond the Pale. What’s not to like?

What book should be made into a game (card, PC, board, etc.) and why? Is there a specific character who you would want to play in this game?

Mistborn by Brandon Sanderson. In that classic fantasy, he writes about allomancers – wizards who gain power by ingesting small amounts of powdered metals. A game about how such wizards would fight each other could be cool. Maybe there is such a game, and I simply haven’t seen it. Another good choice would be the Iron Druid series by Kevin Hearne.

Who are your non-writer influences?

Great question. Certainly some illustrators have had a strong influence, like Maurice Sendak (yes, he wrote too), David Peterson (Mouse Guard), Aaron Becker (Journey). I’m also awestruck by people who are gifted in multiple disciplines, like Leonardo da Vinci or Seth MacFarlane (I never expected to put those two in the same sentence).

HerzHowRhinoGotHisSkinFrom your own writings, are there any characters you would like to cosplay? Have your kids, and co-writers, done any cosplay?

It would be fun to cosplay Nimpentoad, the protagonist of my fantasy early chapter book of the same name. But that would be quite an elaborate costume. My co-author kids and I enjoy attending conventions, and while we’ve occasionally worn armor and hefted fake weapons, I wouldn’t call it cosplay. We lack the dedication and time to create the truly inspired costumes that would qualify us for cosplay.

What reboots (or retellings) of classics have you enjoyed? Are there ones that haven’t worked for you?

I’m a big fan of retellings. I had the idea of retelling Mother Goose Nursery Rhymes from a fantasy perspective, swapping creatures for the human characters. When I researched the concept, I found a couple of books out there, but they didn’t work for me. The gauntlet was tossed. Our version, Monster Goose Nursery Rhymes, will be published by Pelican in 2015.

Rudyard Kipling’s Just So stories are justifiably acclaimed. But, having been written so long ago, the language is outdated and too complex for today’s younger readers. So, my sons and I indie-published a picture book version, How the Rhino Got His Skin. See www.birchtreepub.com.

Care to share an awkward fangirl/fanboy moment, either one where someone was gushing over your work…..or one where you were gushing over another author’s work?

It is always a pleasure to meet someone who was touched by my writing. That’s why authors write. Similarly, I’ve had my share of gushy fanboy moments meeting such inspiring authors as Jim Butcher, Kevin Hearne, David Brin, Orson Scott Card, Vernor Vinge, and Brandon Sanderson.

Lastly, please tell us a bit about the cover art for Beyond the Pale. Does it represent an overall concept for the book, or does it draw more on a single story contained in the anthology?

The cover art for Beyond the Pale represents an overall concept for the book. It’s entitled Snow White, and was done by Abigail Larson. She illustrated our picture book Monster Goose Nursery Rhymes. Love, love, love her dark style! If you agree it would look great on your bookshelf, please consider getting a copy via Amazon, Kindle, or www.birchtreepub.com.