I have enjoyed several of Michael’s works, so it is with great pleasure that I wheedled an interview out of him. Please sit back and enjoy the chat about Doctor Who, Stargate, The Lord of the Rings, Xena, and plenty more!
If you could, what book/movie/TV series would you like to experience for the first time all over again and why?
That’s a hard question. I’ve found that often, a lot of my favorite series don’t really match up to the way I remember them, because they haven’t aged well, or because I’ve changed from the person who first enjoyed them.
That said: Doctor Who. It hasn’t let me down. I’d love to watch it all over again with fresh eyes.
Reality is important when it comes to characterization and consequences. Lengthy travel and bathroom breaks and the like should be skipped over unless, for whatever reason, they’re vital to the plot or the character’s nature. Swearing is definitely part of characterization; the way people talk and the words they use tells us a lot about them.
My most recent release, Infernal Revelation, recently had a reviewer mark it down for its profanity. The speakers in question are rebellious teenage boys outside of adult supervision, and yeah, that’s how they talk. It’s part of their cultural make-up. In particular, it’s a YA book, and teens know how teens talk.
What book should be made into a game (card, PC, board, etc.) and why? Is there a specific character who you would want to play in this game?
I’d like to see a simulation/management game based on Leo Frankowski‘s Cross-Time Engineer. A modern day man is sent back to the 13th century and has ten years to prepare medieval Poland for the Mongol invasion. I like games where you build things, where you see a lot of development on any scale, personal or social or whatever.
With the modern popularity to ebooks, a book is no longer limited to a specific genre shelf. It is now quite easy to label place an ebook in multiple genres (i.e. YA, Fantasy, Horror). How do you see this affecting readers? Have you been inadvertently lured outside your reading comfort zone?
Genre has always been a bit of a tyrannical marketing tool. I think that we’re only beginning to see the possibilities available. This has impacted my writing more than my reading… I’ve always read anything I could get my hands on, but now I’m no longer being told that to be a successful writer I have to pick a single genre and stick to it.
I think we’re going to see some great experimentation from big name authors in the future.
Who are some of your favorite book villains? Who are your favorite hero duos from the pages?
Moriarty from Sherlock Holmes was great because you don’t really see him so much as you see the effects of his presence. Hero duos: Frodo and Sam. Gilgamesh and Enkidu if you want to get tragic about it.
Often various historical aspects (people, locations, events) are used in fantasy and sometimes rehashed in a far-flung future. Are there examples of such historical aspects being used well in the SF/F genre? Examples of what didn’t work for you?
I read a lot of alternate history and time travel fiction. Michael Chriton’s Timeline – the book – was good. I didn’t care so much for the movie. Stargate – the movie and the television series – mined mythology, as did the Hercules and Xena television shows. They weren’t terribly accurate, but they didn’t have to be. It was just great to catch the references.
Oh, and the early Doctor Who seasons did a lot more with time travel. They weren’t always terribly accurate, but they were a lot of fun.
In writing your bad guys, do you want the reader to enjoy hating on him/her, or do you want the reader to be waiting for that magical moment when they redeem themselves?
The best villains are the tragic villains. Ideally I want my readers to identify with and even sympathize for my villains. I want them to understand why they commit terrible acts, and perhaps to see how they might end up in the same situation. Ultimately, though, what makes a villain is the failure to change, to grow like the protagonist does. They are defined and defeated by their destructive patterns.
I want readers to feel bad for my villains, but also that their downfall was inevitable.
Middle-Earth. Lembas wafers.
Care to share an awkward fangirl/fanboy moment, either one where someone was gushing over your work…..or one where you were gushing over another author’s work?
I was on a Worldcon panel with Eleanor Arnason, Bud Sparhawk, and Connie Willis. All I could think about was that I should probably be down in the audience instead, not alongside Hugo and Nebula award-winning authors. I’d grown up reading their stories.
Cover art can be so important for a book, making or breaking sales. What cover art has caught your eye, that you found stood above other books?
I think I notice bad covers more than good, but I’m approaching them from a design standpoint. I evaluate them for their color compositions, layout, and typography. I find it hard to “see” them like a reader.
The validity of genre fiction compared to “literature.” There are a lot of people out there who like to look down on others because of what they read and what they enjoy. I think it’s a form of insecurity, seeking validation through the dismissal of others.
Side characters can make or break a story. What side characters have you enjoyed in other works? What side characters in your own work have caught more attention than you expected?
I really liked Merry and Pippin in the Lord of the Rings trilogy. In my own work, I’ve found that often secondary characters will spawn books of their own; in The Collected Bartleby and James Adventures, Bartleby’s fiance Aldora makes a few appearances, but I was so taken with the character that I wrote the second collection in the series all about her. I have vague plans now to do the same for some of the other characters, namely James’s old friend and con-artist Buckley and his experiences with the Parisian underworld of the Belle Epoque.
Places to Find Michael Coorlim