Ebook Giveaway & Interview: Mary Turzillo, Author of Mars Girls

Join me in welcoming Mary Turzillo to the blog! Apex Magazine has put together this lovely blog tour to celebrate Mary’s newest book, Mars Girls. Learn about science fiction poetry and Mary’s involvement in fencing! Make sure you check out the giveaway at the bottom of the post to see how to win an ebook copy of this science fiction novel.

If you could give any literary villain a happy ending who would you chose?

I’m going to be very unoriginal here. I wish Darth could change back into Anakin, through time travel, I suppose, to be reunited and reconciled with Padme, then rejoice in the birth of Luke and Leia. But the Star Wars universe so far has not included time-reversal, so I guess that’s out. Oh well.

The public library of your dreams has arrived! What special collections does it hold?

All the old pulps. All the Ace Doubles. Oh, wait! It ALREADY exists: The Judith Merril Collection, in Toronto! It’s a great institution, run by fabulous librarians. If you are ever in Toronto, don’t miss it. And there’s a great poutine restaurant nearby.

If you could, what book or movie or TV series would you like to experience for the first time all over again and why?

Oh, that’s an easy one. Star Wars. It was so fresh when it first came to the screen, so epic. And I’d like to see it without knowing what happened to all the actors later on, because some of that is so sad. I really felt there were more imaginative leaps in the first Star Wars movies than in any previous science fiction movie. The vehicles, the aliens, the bots — any single one of them you could find models for in previous movies, or at least some original thinking. But Star Wars just piled on the neat stuff, scene after scene. And the other thing was a beautiful, very young woman acting as a warrior and a hero. Then more of the same as the series developed.

I also would like to see Scanners and the original The Thing and maybe the original (?) Invasion of the Body Snatchers. A little dark, I know. I do love Donald Sutherland’s work.

What has been your worst or most difficult job? How does it compare to writing?

I hated and loved teaching at Trumbull campus of Kent State. A few of my students were difficult; one class of nursing students tried unrelentingly to drive me from the classroom. They left a preserved pig’s ear on my lectern. They hazed the best student in the class. They shoved a cake in my face. I had a student who wrote themes that were thinly disguised death threats — meaning, my death.

But I was heavily involved with art and theatre students, and they were so inventive and so eager to learn and create, that I am still friends with many of them years later. Some of them have become published authors. Some are college profs, following in my footsteps. I created costumes for Shakespeare shows that they were in. I coached them on lines. I was even in shows with them, playing a witch in Macbeth and Richard III’s mother.

One of my favorite memories: In my office one afternoon, suddenly a human body with an elephant head appeared in the open door. It was one of my Shakespeare I students, just finished with his prosthetics project from his Theatrical makeup class. A few minutes later, the victim of a horrible accident appeared. Blood all over, broken nose, black eye, missing teeth. Another of my student’s prosthetic makeup projects. Later, a green alien, with huge bulging eyes and tentacles sprouting from his bald head. Same deal. A Cthulhu head. An ancient old lady. They each challenged me to identify them, and I could only match my students’ names to about half of them. That was before I had an iPhone, or I’d share pictures. If only!

Those were the kids I loved, the best students in the whole world. The best people.

I loved the non-theatre students, too. They were original, creative, full of spirit and hope. I still know many of them as friends.

You are stuck in space in dire straights. Which science fiction authors would you want with you?

My husband, Geoff Landis, for obvious reasons. But then I’d choose an additional crewmate with an engineering background, like Arlan Andrews, Vernor Vinge, or Arthur C. Clarke. Of Course I’d want a physician, and so I’d choose F. Paul Wilson and Janet Asimov, with Robin Cook for second and third opinions, in case I had a space-related injury. Octavia Butler, because she could think her way out of anything. I wish she was still with us! Joan Slonczewski in case we needed a little genetic engineering done.

If you were asked to create the syllabus for a college class in Science Fiction & Fantasy poetry, what works would be on there as required reading? As passing discussion?

Wow, if only! It would need to contain be an enormous number of poems, so let me just sketch out my brainstorming for this fantasy course.

First Unit: Roots: I’d want poems from Shakespeare (selected passages from The Tempest) and maybe some passages from Dante and Milton, for perspective. Christina Rossetti’s Goblin Market, of course. A smattering of Poe. These would be early in the course, as teasers, because they would be beautiful and draw students in.

Second Unit: Theory: I’d direct students to follow sfpoetry.com. Essay readings would be assigned, particularly Suzette Haden Elgin’s The Science Fiction Poetry Handbook. I think there exists an essay called “Why Speculative Poetry Matters,” but I can’t find it right now.

Third Unit: An Explosion of New Masters Mid Twentieth Century: The next part of the course would be devoted to landmark spec poetry: I’d assign several anthologies, especially Edward Lucie-Smith’s Holding Your Eight Hands: an Anthology of Science Fiction Verse (1969) and Robert Frazier’s Burning with a Vision: Poetry of Science and the Fantastic (1984).

Fourth Unit: Twentieth Century Master: Contemporary Masters: Here I’d pile on Ray Bradbury’s When Elephants Last in the Dooryard Bloomed, with special attention to “If We Had Only Taller Been.” Then there would be slim volumes by Roger Zelazny, parts of Creatures of Light and Darkness, plus To Spin is Miracle Cat and “When Pussywillows Last in the Catyard Bloomed.” Next, Ursula Le Guin, not sure which volume, maybe New and Selected Poems.

Fifth Unit: Masters of the Last Thirty Years: I’d create an anthology of all the Rhysling winners. This would be quite a task, because I’d a) have to locate the authors or their literary estates and b) wrangle permission to reprint. So I might just do a Samizdat printing, or have students read the poems from the SFPpoetry website. (I won a 2nd one time, but it’s not up there, because they started listing them after my winning.) I’d also include Bruce Boston’s retrospective, Dark Roads; at least one collection by Jane Yolen; David Kopaska-Merkel’s The Memory of Persistence, Geoff Landis’s Iron Angels, F.J. Bergmann’s Constellation of the Dragonfly, David Cowen’s The Madness of Empty Spaces, one of Mary Soon Lee’s extraordinary Crowned series, and Marge Simon’s Unearthly Delights.

Plus poems by Ann Schwader, Kendall Evans, Suzette Haden Elgin, Bryan Thao Worra, Mike Allen, Deborah P. Kolodji, Sandra Lindow, Gary William Crawford, Josh Gage, Mari Ness, Rachel Pollack, John Amen, Lucy Snyder, J.E. Stanley, G.O.Clark, Tim Esaias, Scott Green, Robert Borsky, Denise Dumars, Bryan D. Dietrich, Linda D. Addison, Sandra Kasturi, David Clink, Stephanie Wytovich, Herb Kauderer, and Alessandro Manzetti.

Out of pure egotism, I would offer free copies of my own books, Lovers & Killers (Dark Regions, 2012) and Your Cat & Other Space Aliens (Van Zeno, 2007) as prizes for the best essays about some other poet.

I’d have a few words about SciFaiku, plus poets outside the spec fic community who write speculative and may not even know it: Billy Collins, Lola Haskins.

I’d alas not be able to do much with non-English-speaking poets —

Care to share an awkward fangirl/fanboy moment, either one where someone was gushing over your work…..or one where you were gushing over another author’s work?

I told Roger Zelazny I wanted to BE him. Roger was fundamentally very reserved, and just kind of froze in horror.

I also fed Algis Budrys an absolutely inedible meal at my house — burned to charcoal. And suggested he should watch his diet and stress level.

Another awkward moment was when I was at a Writer of the Future event and my boyfriend asked Larry Niven what he did for a living. This boyfriend soon became my ex-boyfriend. (Of course that was also because I took him to a Warren Zevon concert and he made fun of the drummer’s hairdo.)

Competitive fencing has been a part of your life. How did you get into it? How long have you been fencing?

I always wanted to fence. Swords, don’t all geeks love them? My departed son collected historical replica swords, so I feel a connection with him when I fence. My husband and I have been fencing for over five years and by pure luck I represented the US in Veteran’s (meaning over 40) Women’s Foil in Germany last year.

What is a recurring or the most memorable geeky argument or debate you have taken part in?

The whole debate about “mainstream” (meaning literary realism) versus speculative fiction. I hope we’ve finally put that puppy in the grave.

Of course now the big debate is that some factions (white hetero males) think there’s too much emphasis on social justic themes in fiction by women and minorities. It makes my head ache.

What is the first book you remember reading on your own?

Margaret Wise Brown’s The Golden Egg Book. The illustrations are so very Miyasaki-like, so pretty, in my memory. The second book I read was Clare Turlay Newberry’s April’s Kittens, a story about a girl who loves her cats, but has to choose between the mother cat and her kitten.

Finally, what upcoming events and works would you like to share with the readers?

I’ll be at Worldcon in Finland (if we ever make our plane rez). I’m trying to arrange some signings for Mars Girls. I’m in the process of arranging some bookstore signings. Check Facebook (I make all my posts public, so you don’t have to go through the whole “friend” chore.) and I have an Amazon Author Page.

Places to Follow Mary

Facebook

Amazon

GoodReads

LiveJournal

Book Blurb for Mars Girls:

Nanoannie is bored. She wants to go to clubs, wear the latest Earth fashions, and dance with nuke guys. But her life is not exciting. She lives on her family’s Pharm with her parents, little sister, and a holo-cat named Fuzzbutt. The closest she gets to clubs are on the Marsnet. And her parents are pressuring her to sign her contract over to Utopia Limited Corp before she’s even had a chance to live a litte. When Kapera—a friend from online school—shows up at her Pharm asking for help, Nanoannie is quick to jump in the roer and take off. Finally an adventure!

What Nanoannie and Kapera find at the Smythe’s Pharm is more than the girls bargained for. The hab has been trashed and there are dead bodies buried in the backyard! If that wasn’t bad enough, the girls crash the rover and Kapera gets kidnapped by Facers who claim her parents are murderers! Between Renegade Nuns, Facers, and corp geeks, Nanoannie and Kapera don’t know who to trust or where to go. Kapera only wants to find her parents so they can get to Earth Orbitals and she can be treated for her leukemia. Nanoannie wants to help her friend and experience a little bit of Mars before selling her contract to the first corp that offers to buy it.

Life isn’t easy when you’re just a couple of Mars Girls.

Author Bio

Mary Turzillo’s 1999 Nebula-winner,”Mars Is no Place for Children” and her Analog novel, AN OLD-FASHIONED MARTIAN GIRL, are read on the International Space Station. Her poetry collection, LOVERS & KILLERS, won the 2013 Elgin Award.  She has been a finalist on the British Science Fiction Association, Pushcart, Stoker, Dwarf Stars and Rhysling ballots.   SWEET POISON, her Dark Renaissance collaboration with Marge Simon, was a Stoker finalist and won the 2015 Elgin Award.   She’s working on a novel, A MARS CAT & HIS BOY, and another collaboration with Marge Simon, SATAN’S SWEETHEARTS. Her novel MARS GIRLS is forthcoming from Apex.   She lives in Ohio, with her scientist-writer husband, Geoffrey Landis, both of whom fence internationally.

Geoff and Mary ponder the question: what would it be like to fence in zero-G? and: What about if we were cats fencing in zero-G?

Places to Follow Apex Book & Magazine Publisher

Facebook

Twitter

Order Mars Girls Directly from Apex

Blog Tour Schedule

GIVEAWAY!!!

Apex is giving away 1 ebook copy of Mars Girls, open world wide. Just do the Rafflecopter thing below. Ends June 17, 2017, midnight.

a Rafflecopter giveaway

Book Giveaway & Interview: Martin Berman-Gorvine, Author of Heroes of Earth

Berman-GorvineAuthorEveryone, please welcome Martin Berman-Gorvine. He’s here to entertain us with a chat on Gulliver’s Travels, Awesomecon 2015, geeky arguments, Martin’s upcoming works, and much more! Martin has also generously offered up a giveaway, open internationally, so don’t miss that at the bottom of this post.

More and more we see fiction being multimedia – a book, a TV show, a PC game, a graphic novel. How do you see the publishing industry evolving to handle this trend? Any plans to take your works in the multimedia realm? 

It’s increasingly the case that books, movies, graphic novels, etc. are viewed as comprising a single profit-obsessed beast called “the entertainment industry.” The word industry for me conjures smoke-belching factories, and the convergence of every form of storytelling is regrettable in many ways because it erases healthy distinctions between different forms of high art and pop art—this at the same time that new, absurdly specific “genres” are constantly being invented out of whole cloth by crazed marketers (middle-grade paranormal suburban steampunk, anyone?)

But it would be hypocritical of me as a speculative fiction writer not to acknowledge that I benefit from not being shoved into the ghetto of low-brow, disreputable and dangerous art that science fiction resided in back in the 1950’s, along with comic books, or to pretend that I wouldn’t welcome a phone call from some sunglass-wearing, poolside-drinks-sipping Hollywood producer eager to put my eminently filmable fiction on the screen. It wouldn’t even cost that much thanks to digital graphics to depict the psychedelic biplanes zipping around a Quetzelcoatlus-descended dragon in my latest novel, Heroes of Earth.

Berman-GorvineHeroesOfEarthWhat were you like as a kid? Did your kid-self see you being a writer?

I was a lonely, picked-on, self-pitying nerd (a term that had no positive connotations when I was growing up in the 1970’s and 80’s). When I was in eighth grade I wrote a satirical sociology of the junior high school I was attending, dividing my classmates into five castes: Averages, Toughs, Pseudo-Toughs, Brainy Averages, and Brainy Weirdos. The last of these groups was the one I saw myself belonging to: “These have even higher I.Q.s than Brainy Averages. They are usually wimps. They do not conform to any usual style of dress (unless they are Pseudo-Toughs) and are likely to become nuclear physicists, cellular biologists, or something like that. They are not usually dangerous except when you trip over them.” (See my blog athttp://martianperspective.blogspot.com/2013/03/guest-post-1980s-time-capsule.html for the whole thing). Arnold in Heroes of Earth is like that. There’s a lot of the young Martin in him, to be honest.

As you can probably guess, when I wrote about the “Brainy Weirdos” I already saw myself as a writer, and had done so for several years by that point, producing reams of poetry (especially haiku), short stories and essays. I was hooked on expressing myself that way from the moment in elementary school when I read aloud in class an Inspector Clouseau ripoff I had composed for an assignment and basked in the laughter of my classmates—and for once, they weren’t laughing at me.

Berman-GorvineSaveTheDragonsIf you were asked to create the syllabus for a college class in science fiction literature, what books would be on there as required reading? As passing discussion?

I’m a great believer in classics, and I would start with Gulliver’s Travels because for me the presentation of very different kinds of people and creatures, fantastical technologies such as the “project for extracting sunbeams out of cucumbers” at the grand academy of Lagado, and of course the underlying satire of human venality and violence are the very same things that draw so many of us to reading and writing science fiction. H.G. Wells’s The Time Machine and The War of the Worlds established two of the major themes in science fiction and have never been exceeded in storytelling excitement. Alternate history classics such as Ward Moore’s Bring the Jubilee and Philip K. Dick’s flawed but brilliant The Man in the High Castle helped create an important subgenre and pave the way for Harry Turtledove’s novels and my own work, such as the British America in my novels Save the Dragons and Heroes of Earth. The works of the great women writers who overlapped with “Second Wave” feminism in the larger American culture, such as Joanna Russ’s The Female Man, Ursula Le Guin’s The Lathe of Heaven, and James Tiptree Jr.’s Houston, Houston, Do You Read? provided vital new perspectives. I would want to include the work of Robert Charles Wilson, who writes three-dimensional characters and ponders deep religious questions amid world-shaking events, notably in The Spin. Really I’d have a lot of trouble limiting the reading list, or fighting the temptation to assign my own work.

DanielsBraveNewGirlsCare to share an awkward fangirl/fanboy moment, either one where someone was gushing over your work…..or one where you were gushing over another author’s work?

Oh gosh. At Awesomecon 2015 I got the chance to meet Amber Benson, the actress, filmmaker and urban fantasy author. I wanted to give her a copy of my book Heroes of Earth that I had with me, but I worried that would make me seem like some kind of freakily obsessed fan, or maybe an author nobody wanted to read, especially because there were staff hovering around to prevent the truly obsessed from bothering the “celebrities.” So I settled for giving her a bookmark with my books listed on it. If by some bizarre chance she ends up reading this, I still have the book I meant to give her, autographed and everything!

What do you do when you are not writing?

Reading, mostly history or speculative fiction. Cleaning up excretia from our five cats and one dog. Disregarding Petula Clark’s advice and falling asleep on the subway. Working at my day job as a newsletter reporter and editor.

Berman-GorvineSevenAgainstMarsWhat is a recurring or the most memorable geeky argument or debate you have taken part in?

I have these every day with my sixteen-year-old son Daniel. He asks me what I would do if I could travel in time—“and you’re not allowed to kill Hitler, Dad.” “Kill Hitler,” I say. His follow-up question is, “What superpower would you have, if you could have any?” I haven’t figured out the answer to that one, so I shift us over to a little light ontological debate. Sometimes he offers me some useful advice for my next novel—for example, when I told him about the philosophical problem posed by the existence of parallel worlds in Larry Niven’s short story “All the Myriad Ways,” where the main character decides to kill himself because free will is meaningless in a multiverse where all possible decisions have been made somewhere, he suggested a counterargument that made it into Heroes of Earth. When we finish talking he’ll go back to playing Skyrim and I’ll go back to such fun pursuits as reading about the Nazi-Soviet Pact of 1939.

Berman-Gorvine36Side characters can make or break a story. What side characters have you enjoyed in other works? What side characters in your own work have caught more attention than you expected?

Side characters can assume outsize importance in the hands of a skilled author. For example, I recently finished reading Erica O’Rourke’s Dissonance, one of the most intriguing and complex approaches I’ve ever encountered on a parallel world theme. The main character, Delancey, is something of a standard-issue young adult heroine in being a rebel and a misfit, though she’s no less appealing for that. Her older sister Addison is her foil for much of the novel, a goody-two-shoes and seemingly an untroubled snitch who starts to develop unexpected depths and nuances toward the end of the novel. I’m looking forward to seeing both girls’ characters develop in the sequel.

In my own work, Jo Purnell, who first appeared as the annoying kid sister of one of the two teenage main characters in my 2013 novel Save the Dragons, returns in a more central role in Heroes of Earth, and I can feel she is definitely demanding her own novel. She’s going to get what she wants, too, because I’m a little intimidated by a girl who can telepathically talk to dragons, out-think Albert Einstein and Roger Penrose in mathematical physics, effortlessly picture higher dimensions in her mind, is musically talented, and outspoken and willing to fight for what she believes in. The challenges she faces will have to be considerable to be worthy of her. But she may live to regret getting what she wants, because I’ve recently signed a deal for a four-book horror novel series with Silver Leaf Books—the first one, All Souls Day, is due out in February 2016.

Places to find Martin Berman-Gorvine

Twitter: @MeshuggeWriter

Giveaway: open internationally!

One autographed copy of Heroes of Earth! Enter the Rafflecopter below or you can do the following in the comments below: 1) leave a way to contact you; and 2) answer this question: What is a recurring or memorable geeky debate you have taken part in?

Giveaway ends in 2 weeks, Midnight August 9th, 2015.

a Rafflecopter giveaway