1) In your writings, what makes a complex character an essential part of the story?
Thanks so much for having me here!
To answer this question, it really boils down to my love for character-driven stories. I love writing and reading stories in which the main characters have several options they can take when faced with a challenge. Should they choose option A as opposed to B, it becomes a whole different story. Remember those old “Choose Your Own Adventure” books?
When characters have to make choices, you really get to know them and what makes them tick. They may even make a choice that goes against their beliefs or morals, but the motives behind it add to their complexity. Their faults and hang-ups get in the way too, adding more layers to their personality. For example, Jayden Ravenwing, one of the leading males in my series, has a weakness for women, and sometimes married women.
‘Mary Jane’ (perfect) characters are boring. Give me a character who’s uncertain, unwilling, bitter, scared, or lonely. I want to see imperfection—moments of selfishness, jealousy, rage, and lust—and then you’ve got a complex character who may or may not rise above the challenges. That doubt keeps you reading (and rooting) for them to succeed!
2) The Tallenmere series strongly features elves and romance, so I have to ask: Did you read Tolkien and wonder what was going on behind the scenes with the elves?
YES!! Those elves were just too perfect, don’t you think? Better than everyone at everything, like those perfect soccer moms who attend every PTA meeting with J. Crew sweaters draped over their shoulders and a Starbucks latte in hand. Ahem…
Tolkien’s elves, though I dearly love them (my God, don’t get me started on Orlando Bloom as Legolas *drool*), they were all so whimsical. I just knew they had skeletons hiding in those tidy closets of theirs, so I decided to expose some of those bones once and for all.
In Tallenmere, elves put on a perfect show for the world around them, but as soon as you step inside their private chambers, you’ll see a whole different act. Pure elven women can give birth to a maximum of three children, but if you listen to the gossip, you’ll find out about all the half-siblings there are, many of whom come from Leogard’s nobility. All the elves tend to be xenophobic and intolerant of every other race, even other elven races. Half-elves like Galadin Trudeaux (A Ranger’s Tale) are especially looked down upon.
In reality, elves are just as imperfect as the rest of us, suffering from petty jealousies, inflated egos, self-doubt, and wanton desires. But, I did keep one aspect of Tolkien’s elves: they’re still very good-looking!
3) In writing your bad guys, do you want the reader to enjoy hating on him/her, or do you want the reader to be waiting for that magical moment when they redeem themselves?
This really depends on the story. Complex villains are best—those who show more than just a 100% evil attitude. They have to have motives for their actions. Not just “I want to take over the world”. Ok, so maybe they do, but why? Did Mom abandon him? Did Dad get drunk and beat everyone in the family? Did one of their siblings steal all the attention?
Take Sebastian Crowe from Serenya’s Song, for instance. At the beginning of the story, readers just hate him, but as the plot unfolds, we start to see a completely different side of him, one that’s much more than just a big, mean brute.
Just like the main characters, I want to make it obvious that the villains have a choice in their actions. Sure, they may have someone in the background driving their evil deeds, but ultimately the choice is still theirs whether to continue on their path of destruction or not. I think just leaving that question in the readers’ minds is best. Give the villains a little bit of heart, some hints that they could do a 180, but keep the readers wondering (and hoping) until the very end.
Big fan of the Elder Scrolls series. Currently, it’s Skyrim. Before that, it was Oblivion, and before that, Morrowind. Before all of those, it was Everquest & Everquest II. I’ve also had moments of addiction with Zoo Tycoon 1&2, Webkinz, and several others.
5) If I stumbled in to your Super Secret Writer’s Cave, well, you would need better security, but what would I find?
My son has some sort of Lego construction on my desk. Some papers are strewn on the floor near the printer. There’s a messy book shelf. Make that two. A few instrumental CD’s scattered by the CD player and a too-full bulletin boards covered mostly with children’s art. A coffee cup with a ring of dried coffee in the bottom (better make more while I’m thinking of it). And copious amounts of dust and cat hair. Crap, now I need to clean…be right back!
Flitters: These are native to the Eastwood Mountains of Tallenmere. Butterfly-sized creatures with cute little pixie faces and pretty patterns on their wings. Just don’t look them in the eye for too long, or you’ll wind up in a paralyzing trance, while they shred you to pieces and have you for dinner.
Vampires: Yeah ok, so they’ve become sparkly lovers in recent years, but seriously—what’s so romantic about a guy biting your neck and drinking your blood?
Were-anything: Same here. If a guy can eat me for breakfast should he so choose, I’d rather not sleep next to him. No offense to the Jacob-lovers out there.
Zombies: This should be obvious. All instinct, some are very strong and fast, and always ravenous. And they smell bad, too.
Angry dragons: In Hearts in Exile at least, they’re usually not a threat unless you cross them or they think you’ve crossed them. There’s an old Haddo saying that goes something like this: “Never break a promise to a dragon; ye won’t live long enough to be braggin’.”
7) In passing nuggets of wisdom on to aspiring writers, what are some non-writing, non-reading activities that you would suggest to improve writing?
Play roleplaying games like Skyrim. They’re like visual novels in themselves, filled with massive worlds and storylines. They can really get your imagination flowing.
Watch movies—not just for the special effects, but for the stories. See how the plot unfolds, how suspense is built, how the characters react to different situations. You’ll catch some brilliant ideas and some not-so-brilliant ones that will teach you both what to do and what not to do in a story.
Also, travel and visit as many places as you can, even if it’s local, like different restaurants, zoos, museums, parks, etc. You’ll gather all kinds of visual and sensory information that could provide new settings and help spice up your stories!
Mysti Parker (pseudonym) is a full time wife, mother of three, and a writer. Her first novel, A Ranger’s Tale, was published in January, 2011 by Melange Books, and the second in the fantasy romance series, Serenya’s Song, was published in April 2012. The highly anticipated third book, Hearts in Exile, has already received some great reviews. The Tallenmere series has been likened to Terry Goodkind’s ‘Sword of Truth’ series, but is probably closer to a spicy cross between Tolkien and Mercedes Lackey.
Mysti’s other writings have appeared in the anthologies Hearts of Tomorrow, Christmas Lites, and Christmas Lites II. Her flash fiction has appeared on the online magazine EveryDayFiction. She has also served as a class mentor in Writers Village University’s six week free course, F2K.
Mysti reviews books for SQ Magazine, an online specific publication, and is the proud owner of Unwritten, a blog voted #3 for eCollegeFinder’s Top Writing Blogs award. She resides in Buckner, KY with her husband and three children.
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