Lurk by Adam Vine

Narrator: Kevin Meyer

Publisher: Lilydog Books (2017)

Length: 9 hours 46 minutes

Author’s Page

Set in Santa Cruz, California, the house on Sunny Hill has been rented out to one group of college students or another for the past 20+ years. Now Drew Brady and his crew party every night at the house and occasionally attend classes. The close camaraderie the group has starts to shift once Drew discovers a box of old Polaroids in the basement, one of which shows the then-students messing around with what appears to be a human skull. Drew starts having terrifying visions and his mood starts spirally towards paranoia and anger, perhaps becoming dangerous to his friends. Part psychological thriller, part horror flick, this book makes you think twice before going down into the basement again.

The story has a good set up, introducing each of the main characters in unique and engaging ways. First, Drew is a nerd after my own heart. I really enjoyed all the nerdom surrounding this guy and instantly wanted to invite him into my inner circle. His housemates Carter (a muscular, attractive young man) and his girlfriend (a sometimes frigid, and sometimes funny young woman) provide that handsome, happy couple example for the story. Drew’s love interest, Bea, lives nearby but is often at the house partying with the crew. Meanwhile, Drew’s friend Jay comes for a visit along with his googly-eyed dog Popeye and his two homophobic friends.

As a side note, there’s lots of modern slang all over the place in this book and some of it is made up of homophobic remarks. We see everything through Drew’s eyes and his character makes the internal comment that Jay’s friends aren’t really homophobic despite their comments because they have never even met a gay person. OK, it’s character building all around. These guys are comfortable in their derogatory, casual statements and jeers and Drew’s OK with it because it doesn’t go any deeper than that. Regardless of my personal views on such remarks, it’s showing these flawed characters which I can live with. However, it still got a bit tiring simply because it comes up so many times in the story.

Speaking of tiring phrases and such, there is quite a bit of partying in this book. While that lives up to my expectations for a large chunk of college students, it did get a bit repetitive and tiring to have them always doing pot, lighting up (nicotine or otherwise), and drinking until they pass out or vomit or both.

Having gotten those criticisms out of the way, this was a pretty decent story. It has elements of both horror and psychological thriller. I liked that we never had too much of either. It wasn’t a gore fest but there are some pretty horrific scenes. Meanwhile, I was always questioning just how much I could trust Drew’s observations. Is he under the influence of some buried demon that inhabits the house’s basement? Or is he just a truly insecure guy that’s headed down the wrong road? In fact, Drew questions this about himself often and that kept me guessing about Drew for the entirety of the book.

The side character that I enjoyed the most was Andy, a local cop. He’s also a bit of a mystery in the same way that Drew is. Is he a good cop that suspects more than he’s letting on or is he part of the problem? As creepy things start happening more and more frequently around Sunny Hill, we get more time with Andy.

The tale ends on a cautionary note about how words have power and that teasing or neglect can twist someone up inside, potentially creating a monster in the long run. I thought it was interesting that the author ended things on this note considering the amount of homophobic remarks that go unchallenged in this book. The two seemed at odds with each other and yet I can’t say that the author didn’t do so on purpose. This story is either very well planned out or the author flailed around until he got it right. Either way, it is an entertaining read and leaves plenty to think about afterwards.

I received a free copy of this book via The Audiobookworm.

The Narration: Kevin Meyer did a pretty good job with this narration. He was perfect for Drew and seemed to enjoy the role with all the nerd references. He also had a very good creepy laugh that was used here and there throughout the tale. While he did well with all the modern slang, making it sound natural, there were also a few times where music lyrics were simply recited instead of sing-songed. I know this is a tough one for many narrators, but the recited lyrics felt a bit stiff instead of natural.

What I Liked: I was guessing about Drew the entire book; I had my doubts, and my hopes, about Andy the cop as well; enough horror to get the point across without being a gorefest; definitely some psychological thriller going on here; interesting way to end things.

What I Disliked: Homophobic remarks and partying references throughout the entire book got a bit tiresome.

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About Author Adam Vine:

Adam Vine was born in Petaluma, California. By day, he is a game writer and designer. He has lived in four different countries and visited almost thirty. His short fiction has appeared in various horror, science fiction, and literary fiction magazines and anthologies. When he is not writing, he is traveling, reading something icky, or teaching himself to play his mandolin. He currently lives in Germany.

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Synopsis of Lurk:

Some secrets should stay buried….

College student Drew Brady never wanted the power to spy on his friends. But late one night, he finds a box of old Polaroids buried under his house that can change to show him whatever he desires, and Drew finds himself with the power to watch the people around him without them ever knowing.

Yet as Drew falls deeper into the rabbit hole of jealousy and despair, he begins having strange visions of the students who lived at the house 20 years ago and the gruesome fates they met after moving out. He finds evidence of a stalker who may be living on the property. The line between reality and nightmare blurs. Drew realizes there is something under the house that is manipulating him through the pictures, an eldritch, not-quite-dead thing that will drive him to do unspeakable evil if he doesn’t look away….

A blistering horror story, Lurk is unlike anything you’ve ever heard.

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About Narrator Kevin Meyer:

A devoted Midwesterner, raised in rural Wisconsin and transplanted to Tulsa, Oklahoma over three decades ago. A career-long voice-over and music radio guy, my iPhone playlist ranges from Alice Cooper and Waylon Jennings to Twenty One Pilots and The Zac Brown Band. Favorite reads are dominated by political biographies (Lincoln, Truman, Kennedy)…and Stephen King.  And now Adam Vine…’cause day-um that Drew Brady is one twisted mother!’

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Audiobook Giveaway & Interview: Victor Robert Lee, Author of Performance Anomalies

Everyone, please give a warm welcome to Victor Robert Lee. His espionage novel, Performance Anomalies, gives us a fresh face in the world of spies for hire. Scroll to the bottom for info on the audiobook giveaway!

Reality in your fiction: how important is it? Lengthy travel, cussing, and bathroom breaks happen in real life. How do you address these mundane occurrences in your writings?

VRL: If it’s mundane, I avoid it and take another path to move the story forward. But in a realistic story, characters still have to get from A to B, so within that motion you try to add elements that build on the personalities or the dilemma. Reality as a mindset in the novel Performance Anomalies is essential; even though Cono 7Q has capabilities that derive from an accelerated nervous system, there is a lot of scientific plausibility behind it. Researchers are just beginning to identify many examples of human performance anomalies based on rare genetic variations.

If you could be an extra on a TV show or movie, what would it be and what would you be doing?

VRL: I don’t watch TV, so it would be a movie— any movie by Werner Herzog, either documentary or fiction feature. What would I be doing? I’d be watching his every move as director and thinker. The crashing through the (real) jungle in outrageously brilliant Aguirre, the Wrath of God and then in Fitzcarraldo — that was more than three decades ago, and today he is still pushing the envelope all the time. Guts and creative force. I’ll be his extra anytime.

What decade from the last century would you pick to have been a teenager in?

VRL: The decade around 1900, when the Wright Brothers and Santos-Dumont and others were showing humans could fly. The inventiveness and courage and willingness to leap (literally) into the unknown — I’m in awe. I’ve flown hang-gliders and para-gliders and I love flight. If I’d been a teen then I would have volunteered to sweep sawdust or glue paper to wooden airframes, just to get close to liftoff, and maybe fly myself. Last month I visited the mountain site above Florence that Leonardo da Vinci used to test his flying machines in about 1506; it’s likely he built the first successful hang-glider. But then we had to wait four hundred years for the story to restart.

Who are some of your favorite book villains?

VRL: Hazel Motes, from Flannery O’Connor’s Wise Blood. Favorite— not really, but most searing, yes. And villain isn’t the right word; “disturbing protagonist” is probably more accurate. His twisting and manipulative pseudo-religiosity is scary enough, but you also get the sense he’s a psychopath one inch away from mass murder. And there is plenty of that in the world today; the difference now is that technology has made large-scale killing easy for your average Joe or Jane. Real-world villains are now dime-a-dozen— if I may digress for a moment, I wish the media wouldn’t publish images of mass murderers, over and over. In most cases, that is exactly the reward they were seeking.

Your news reporting keeps you traveling. What city has captivated you?

VRL: Many cities have grabbed me, and despite my travels I think I can say I’m not one of Graham Greene’s characters who “gave the impression that very many cities had rubbed him smooth.” I’m still pretty rough, and I prefer to travel that way. The impression of each place, each city, is governed by the big When, because cities, especially, change. Almaty in Kazakhstan, a beguiling favorite of mine in the past, is now a sprawling city with ugly modern features. Samarkand in Uzbekistan has turned into a place of hardship and crude oppression. Beijing, once so captivating and a destination for me dozens of times, is now a cloud of unbreathable paste; some of my friends there are moving to Los Angeles to escape the pollution — ironic, considering the smog in L.A. was the world’s worst 30-40 years ago.

It’s time for you to host the book club. Who do you invite (living, dead, fictional, real)? And what 3 books will you be discussing?

VRL: Fair warning: I’m not a very good host! I like people, but I’m less and less sociable. Maybe I have been rubbed (or scratched) by too many cities, after all! Of course I would reach back in time for my guests — Confucius, Bertrand Russell, Einstein. Instead of discussing books, I’d ask them what they left out of their own writings during their lives. The things they didn’t say but should have, if they’d had more time or freedom. I’d also invite Catherine the Great of Russia, to keep the others on their toes.

What were you like as a kid? Did your kid-self see you being a writer?

VRL: I was outdoors a lot as a kid. Collecting discarded liquor bottles from ditches, burying used washing machines with top-hatches for war games in the woods near the river, pinching the glowing abdomen off fireflies and sticking it to my forehead in the dark, searching for the perfect bluejay feather that might have fallen among the weeds.

When I was about thirteen I wrote a short editorial for the school newspaper, prodded by my English teacher. I didn’t know what to make of the satisfaction it gave me — such a little thing; why this feeling? My later training was mostly in hard sciences, except for a college minor in English Literature, which prevented the writing flame from being extinguished.

What is the first book you remember reading on your own?

VRL: I think it was The Boy Who Cried Wolf, which I asked my mother to read to me over and over again when I was very young, until I could probably read it myself without even looking at the words. Big shout-out to all patient Moms!

Can we expect further adventures of Cono 7Q? 

VRL: Performance Anomalies is just a beginning for Cono 7Q. His strange heritage — Chinese, Russian, European and other unknown roots, coupled with his languages and experiences, make him an espionage agent for our age. For better or worse, the emerging new cold war between America and both China and Russia will be fertile ground for Cono’s interventions, real or imagined. I am grateful to David Pittu, the protean Broadway actor who read the Performance Anomalies audiobook. How can he create so many distinctive voices—male and female—and dead-on accents, all so naturally? Another example of a performance anomaly?

Author bio: 

Victor Robert Lee writes on the Asia-Pacific region and is the author of the espionage novel Performance Anomalies, described by The Japan Times as “a thoroughly original work of fiction” and by Singapore’s Best of Talking Books as “un-put-down-able.” His reporting from the South China Sea and other parts of Asia can be found in The Diplomat and elsewhere. His reporting has been cited in The GuardianBBC NewsCNNThe EconomistMainichi ShimbunThe Singapore Straits TimesAsahi ShimbunBloomberg ViewThe Wall Street JournalThe Washington PostThe WeekNational Geographic and other media, and in hearings of the U.S. Senate Committee on Foreign Relations. He uses a pen name to avoid being denied travel visas by authoritarian governments. ​

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Book Blurb for Performance Anomalies

Victor Robert Lee’s provocative debut spy thriller PERFORMANCE ANOMALIES introduces a protagonist to rival the most memorable espionage heroes. Cono is a startling young man of mixed and haunting heritage who has been gifted – or cursed – with an accelerated nervous system. An orphan from the streets of Brazil, he acts as a freelance spy, happy to use his strange talents in the service of dubious organizations and governments – until, in Kazakhstan, on a personal mission to rescue a former lover, he is sucked into a deadly maelstrom of betrayal that forces him to question all notions of friendship and allegiance.

Relevant to our times, PERFORMANCE ANOMALIES explores the expansion of Beijing’s imperial reach into Central Asia, and the takeover of Kazakhstan. Cono’s main adversary is a brutal Beijing agent whose personality has been twisted by the Cultural Revolution’s devastation of his family. Victor Robert Lee’s topical depiction of a Beijing government pursuing territorial expansion resonates with current tensions over China’s claims on the entire South China Sea.

PERFORMANCE ANOMALIES travels from Brazil and Stanford to Almaty and the Tian Shan mountains, covering a tumultuous emotional landscape along the way. The fate of an oil-rich nation the size of Western Europe is at stake. So, too, is a hidden stockpile of weapons-grade uranium. The Beijing agent craves Cono’s suffering; a jihadi cell wants him dead. As the human cost of his mission escalates, Cono realizes that he must turn his strange talents toward higher deeds in the future – if by his guile he can survive the explosive present.

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Info about the publisher Perimeter Six:

PERIMETER SIX publishes intelligent fiction with an emphasis on intrigue, action and territories in turmoil.

We take inspiration from authors who gaze at a fractured world and see in its cracks the fertile ground for unforgettable characters—fiction, yes, but making us all feel more real.

Contact us on this email address:
info@perimeter-six.com

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GIVEAWAY!!!

Perimeter Six and Victor Robert Lee are giving away one Audible US/UK audiobook copy of Performance Anomalies. Do the Rafflecopter thing below or answer these questions in the comments: What country do you live in? Who is your favorite spy? Giveaway ends June 10th, 2017, midnight.

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