Folks, please welcome Matthew Davenport. It’s a pleasure to have him on the blog today. I really enjoyed his book The Statement of Andrew Doran several months ago and jumped at the chance to pick his brain. Today we chat about dead authors, networking, side characters, and much more! Also, we have an awesome AUDIOBOOK GIVEAWAY for you all. Scroll to the bottom to check that out!
Are minions/sidekicks just throwaway devices in a tale? Can they become more? Do they need to become more?
Not in any of my works. Sidekicks all have value to some degree. I try to keep to giving anything that I introduce value. So, if you meet a new character at the beginning of a story but don’t see him for a while, just hang in there, because it’s very likely that he’ll have a pivotal role in the end of the story.
A great example of this is in my Andrew Doran novels. Andrew…collects certain people in his travels. At first they are just a means to an ends, but somewhere along the way, Andrew finds value in keeping these people along as more than just tools, they become friends and allies in his battles.
Comparatively, my horror novel The Trials of Obed Marsh does this as well. Instead of collecting people in his travels, Obed Marsh has family and friends that you might meet near the beginning of the story, but it isn’t until the story begins to climax that you realize their true role.
I’m a firm believer that every name, object, or place that an author focuses on needs to have some sort of reason that it was introduced. If you’re just going to say “Look, an apple!” and never use that apple as a plot device, it has absolutely no reason being in your book. Cut out the fluff before your editor does.
My first two novels (Random Stranger and Stranger Books) didn’t have any research…at all. But they were fictional accounts completely based on character development. The little research I did was focused on mythical creatures and their evolutions through different cultural interpretations. While that sounds heavy, it really wasn’t. A quick Google search of “All the names Santa Claus ever had” gave me most of my research.
Alternatively, The Trials of Obed Marsh and both Andrew Doran novels demanded a heavy amount of research. All three are heavily influenced by both the eras that they take place in, and the works of H.P. Lovecraft. I wanted the horror and adventure aspects within Lovecraft’s stories to resonate with the true fans, and read everything that Lovecraft wrote (again, as I was already a fan), taking very extensive notes. Once those notes were done, I looked toward the expanded works. A lot has been added to the mythos since Lovecraft died, and I wanted the relevant pieces to make it into each of those stories as well.
On top of that, the eras that these stories were placed in made a huge change to the flavor of each story, and they needed to be right. The Trials of Obed Marsh was a 19th century sailing story. I didn’t want to just guess at what sailing culture was back then, or how the boats would circumnavigate the globe, so I studied up on how it was done.
With Andrew Doran, I wanted it to be a sort of history lesson that had nothing to do with history. Each chapter of the first book takes place in a new city in Nazi-controlled Europe. I sprinkled in facts explaining the states of those countries during those years, and then I added monsters.
As for how I decide what to research, I start writing my draft notes and if I don’t know how something was done, I start searching the web for everything I can on it until I feel I could hold my own in at least a basic conversation about the subject.
It helps to read…a lot.
First: Networking. Outside of my author stuff, I run Davenport Writes, LLC. It’s a company that offers publishing resources for authors. I offer consulting, freelancers (cover artists, voice actors, editors) and book signings for the local folks. The most powerful tool in any author’s toolbox is a handshake. The more people that you can tell about your books, the more people who are going to want to help you get your books out there. What I’ve found is that everyone wants to help you, but they can’t help you until they know about you.
Second: Live. Say yes to everything. Even if it doesn’t sound entirely fun. Once you’ve had the experience, it’s a tool in your toolkit for writing. If I have a friend that wants me to do something that I find unpleasant, that little bit of life I’ll be living will be material for the next story. That adds realism and realism makes great writing.
If you could sit down and have dinner with 5 dead authors, who would you invite to the table? What would they order?
H.P. Lovecraft, Isaac Asimov, Arthur Conan Doyle, Terry Pratchett, and Douglas Adams. Let’s start with a serious dinner and end on the lightest. I feel like we’d also end drunk, and drunk with Douglas Adams sounds more fun than drunk with Lovecraft. *shiver* A drunk Lovecraft would be a terror I don’t think many are prepared for.
What do you do when you are not writing?
I manage Davenport Writes, LLC, read, watch horror/adventure movies, and enjoy my evenings with my wife.
The first full novel I read, and it wasn’t really a novel like what I read today, was an old book called My First Toolbox. The book was about a kid who purchased a toolbox with his allowance in order to build…something or another…and then he found he still didn’t have enough money to make whatever it was he wanted to make. That was when he learned that he could make more money by fixing all the neighborhood kid’s stuff. I read that in first grade, and I was more excited that I had completed such a huge book (not even 60 pages, I’m sure) than about the book itself.
You have to run an obstacle course. Who do you invite along (living or dead, real or fictional)? Will there be a tasty libation involved?
I guess this would depend on the types of obstacles. I’m not inviting some lanky author to some sort of duck and jump obstacle course. On the other hand, I’m leaving the shorties behind if I’m going to have climb or jump on anything.
…I take it back. Ralph Macchio. Why not?
And yes, libations. I never say no to libations. Celebratory Templeton Rye…
Dr. Andrew Doran has been out of touch with the major civilizations for quite a while. When an emissary from his Alma Mater demands his assistance, Andrew is in such a state that he has no choice but to help. The Nazis have taken the Necronomicon from Miskatonic University’s library. With it they could call upon every form of darkness and use the powers of the void to destroy all who stand in their way of unlimited power. For years Doran has been at odds with Miskatonic University. Putting his negative feelings aside, Andrew takes charge and heads straight into the Nazi controlled territories of Europe. Along his journey from America and into the heart of Berlin, the dark Traum Kult, or Dream Cult, has sent beasts from the void between worlds to slow his progress. This is adventure and monsters unlike anything the anthropologist has ever experienced, and only with the assistance of the trigger-happy Leo and the beautiful Olivia, both members of the French Resistance, does Dr. Doran have any chance of success. Nazis, zombies, wizards, and beasts roam the path before Dr. Andrew Doran. A sane man would flinch. Dr. Andrew Doran charges in.
Innsmouth was a corrupted and fallen town, consumed by its greed and controlled by the Esoteric Order of Dagon. In 1928, the Federal Government destroyed Innsmouth and the nearby Devil Reef based on claims made by a man who had visited the town.
Four years after the mysterious disappearance of Robert Olmstead, the man who sent the FBI to Innsmouth, his closest friend has discovered new evidence into the reality of what Innsmouth truly was: He has found the Journal of Captain Obed Marsh.
The journal paints an intense scene of a vibrant town and how one man’s good intentions can pave the way to Hell itself.
Or in this case…to Y’ha-nthlei.
What can test a man so intensely as to break him from his righteous path?
Only the journal can shed light on that.
Places to Stalk Matthew Davenport
Matthew Davenport is generously offering up 5 audiobooks of The Statement of Andrew Doran and 5 audiobooks of The Trials of Obed Marsh. You’ll need an Audible.com account to receive one of these books if you win. You can enter to win either book or enter to win both! To enter, do the Rafflecopter thing below or answer the following in the comments: 1) Do you have an Audible.com account? 2) Which book (or both) do you prefer to win? 3) What’s the first book you remember reading? 4) Leave a way to contact you! Giveaway ends October 26th, 2015 midnight.
Rafflecopter for The Statement of Andrew Doran
Rafflecopter for The Trials of Obed Marsh