Everyone, please welcome Alex Hurst, author of D. N. A.: Alta, a most entertaining illustrated novella. WE chat about comics, TV series, artist influences, and plenty more! Also, there is a sweet giveaway – check out the last question in the interview for that.
If you had to choose someone to rescue you from the jaws of certain death would it be a superhero, supernatural creature, or a space alien?
Oh, definitely a superhero. The idea that there could definitely be the promise of super powers in the human race is an amazing concept for me. While aliens would be interesting, I’ve always considered them an inevitability (just look at how big this universe is!) and the likelihood that I would be able to communicate with my savior would be quite slim… same goes for any mythical creature. But a superhero would be like me, like you, like all of us –– just with something a little extra.
What now-dead author would you like to interview? What are some of the things you would chat about?
If I could interview any dead author, it would be Edgar Allan Poe. A couple of years ago, I took it on myself to read everything he’d ever penned: short stories, poems, essays, and his one and only novel. I had so many questions by the end. He seemed to have a wicked sense of humor (he had a habit of writing fake news stories that ended up on the first pages of respectable papers) and a really interesting philosophy about art and life. I feel like being able to interview him would make for some fascinating reading, and I’d really be curious to know how he would feel about his cult icon status in the world these days.
If you could, what book/movie/TV series would you like to experience for the first time all over again and why?
I’d love to experience the BBC’s Sherlock Holmes TV series with Jeremy Brett. While I’m also a fan of Cumberbatch’s Sherlock, Brett’s will always be my favorite. I’ve watched the episodes so many times that I can’t get the same thrill from them that I used to. I’m hoping if I wait to watch the series again for another ten years, it really will feel like experiencing them again for the first time! I suppose a close second would be A&E’s Horatio Hornblower adaption.
This question is a little harder for me to answer, as my benchmark only begins with the 80s comics of Marvel and DC, but I would say so. The prevalence of superhero films and TV dramas has brought the world of comics into grit (especially with DC, as seen with the Arrow and Dark Knight series), which we see most obviously in cinematic adaptations. Heroes are getting darker, more antihero than hero, and villains are getting dirtier and scarier. The Joker from the 80s is not the Joker of 2015’s Suicide Squad movie trailer.
While in some cases, I have liked the industry’s tilt into further character development and psychological meanderings, I’m still undecided as to whether those things automatically need to be explored via gratuitous violence. The range of human emotions is broad, and I do not think they are being explored to their full potential on either side of the equation.
More and more we see fiction being multimedia – a book, a TV show, a PC game, a graphic novel. How do you see the publishing industry evolving to handle this trend? Any plans to take your works in the multimedia realm?
I would love if D.N.A. were to get adapted into a fully-illustrated comic or graphic novel, and of course the nature of Alta’s universe, I think, would make for some excellent animation of film adaptations. But for now, the important thing for me is to deliver the strongest story I can for readers, one that uses the superhero world as a foil to explore the weaker parts of the human and cultural psyche.
As for the publishing industry, I think it will always find a way to adapt. As the technology becomes more available and more stable, I think we will see more stories making the multimedia jump from one platform to several. With books, we saw this with audiobooks and then ebooks, which are now industry norms, but I imagine it will continue with the development of illustrated editions to full-on graphic novels, animated features, and so on. Motion Books (a 3D comic platform) will likely continue to gain steam, as well, as soon as their technology becomes available on more than one platform.
Artists and musicians. My favorite artist to contemplate a story to is Lightwave, a new age, lyricless artist. I often pop in their song Uraniborg when I’m trying to work my way through a scene. I have a lot of artistic influences, as well, including Frida Kahlo, Jim Lee, Helena Nelson Reed, and Alphonse Mucha. I was so happy when my artist, Kevin Nichols, agreed to take on the D.N.A. project because it meant a marriage between my two favorite art styles: Golden Age and comics.
If you were asked to create the syllabus for a college class in super hero/ super villain literature, what books would be on there as required reading? As passing discussion?
I’m more of a Marvel fan, so my list might be a bit biased, but there are a few comic arches that would have to be required reading for character study:
- Magneto, the independent comic series by Marvel currently exploring the psychology of one of their more fascinating hero-turned-villain-turned-hero characters.
- Batman: The Killing Joke and Batman: Year One, because as a hero, Batman straddles the line between the limits of a normal human going “super,” and all of the trials those limitations place on him.
- X-Men: The Dark Phoenix Saga, because it is one of the most important arcs for the characters of that universe, and it was also written at the height of X-Men’s popularity before the movies.
- X-Men: Mutant Massacre, because this is the critical arc for my favorite X-Men character, Gambit (yes, I told you this was going to be biased!). The arc deals with the ramifications of a mutant-led mutant massacre, and Gambit’s struggles to define himself as hero or pawn to villainy.
I admit, my comic reading has not been as extensive as it used to be –– I poured over my brothers’ collections as I never had the money to purchase my own, but in recent years I have started reading in the genre again, and I am finding myself really in love with Storm’s standalone comics, as well as Dr. Mirage and She-Hulk. There are so many comics to read and explore I’m having a hard time catching up!
Finally, what upcoming events and works would you like to share with the readers?
I would like your readers to know I am more than happy to give away 3 copies of D.N.A. Tell me in the comments what you would do if you could adopt the genetic code of any animal to fight crime (or perpetrate it!) and I’ll pick my favorites to send a book to. Or do the Rafflecopter thing (right below this paragraph) for extra entries. Giveaway ends August 31st, 2015 midnight.
D.N.A. is an illustrated, serial novel written by Alex Hurst. The story chronicles the adventures of Alta Williams, a woman of a future where genetics dictate quality of life and scientific discovery advances at an inconceivable rate. Alta is known to the media as the Human Doll, the first successful case of a full nanoCell organ transplant.
Alta appreciates the technology around her: without it, a chemical fire would have killed her in her early twenties. Though the fire destroyed her extracellular matrix, scientists from the medical behemoth nanoTech were able to replace her ruined skin with their patented nanoCell material, giving her a second lease on life.
However, with nanotechnology now advanced enough to alter the human genome, and a company determined to capitalize – and control – the endeavor, it is up to Alta to expose their plans.
And she’s not alone.
Helping her every step of the way is D.N.A., the Digital Nanocell Accelerator, a self-learning computer program charged with telling synthetic cells which tissue they should build. D.N.A. fuses with Alta’s fully-synthetic skin and convinces her to fight against those who would otherwise oppress society as she knows it.
Of course, it helps that D.N.A. can change the genetic makeup of Alta’s skin at will, gifting her with the characteristics of any living recorded in the Genome Project. With the world’s genetic code at her whim, Alta has the power to overcome anything…
…but at what cost to her humanity?
**Please note that this is a novella with illustrations, not a comic or full-length novel**
About Alex Hurst:
Alex Hurst writes primarily character-driven fantasy, in such sub-genres as urban, Gothic, uncanny, and regional fantasy. Sometimes, she dapples in science fiction, horror, and LGBT literature.
She was raised in the wilds of the south. Lightning storms and hurricanes created the playpens of her youth, and in the summers, she used to spend all of her time dodging horseflies in a golden river, catching fish and snakes with her bare hands, swinging from vines, and falling out of magnolia trees.
In the dawn of her adolescence, her family took her on a journey across the United States, from the white sands of Pensacola, FL, to the razor’s edge of the Hell’s Backbone in Utah. They finally landed in Marin, CA, where lotus eaters tried to make city folk out of them (but miserably failed.) She currently lives in Kyoto, Japan, working as a writer and dream-smith.
She also freelances as an editor for the Writers’ Anarchy anthology series, designs book interiors at Country Mouse Design, and admins on the Fiction Writers community on Facebook, assisting emerging writers.
Places to Stalk Alex Hurst
Alex is giving away 3 copies of D.N.A. Tell me in the comments what you would do if you could adopt the genetic code of any animal to fight crime (or perpetrate it!) OR do the Rafflecopter thing (right below this paragraph) for extra entries. Giveaway ends August 31st, 2015 midnight.