Folks, please welcome author and editor Henry Herz to the blog. I have thoroughly enjoyed his works (Nimpentoad & Beyond the Pale) and just knew Henry would be a lot of fun to interview. Want to know how Seth MacFarlane and Leonardo da Vinci are similar? Curious about Monster Goose Nursery Rhymes? Keep reading and enjoy!
What drew you to organizing an anthology that focused on the sub-genre of paranormal Young Adult/New Adult?
I love the phrase “beyond the pale”, and everything sprang from that. Beyond the Pale is an anthology of fantasy, urban fantasy and paranormal stories that skirt the border between our world and others. Was that my imagination, or did I hear something under my bed? What was that blurred movement in my darkened closet? There is but a thin Veil separating the real and the fantastic, and therein dwell the inhabitants of these stories.
The noun “pale” refers to a stake (as in impaling vampires) or pointed piece of wood (as in a paling fence). “Pale” came to refer to an area enclosed by a paling fence. Later, it acquired the figurative meaning of an enclosed and therefore safe domain. Conversely, “beyond the pale” means foreign, strange, or threatening.
Myths and beliefs that we would consider fiction or fantasy in modern literature once upon a time shaped history (think of all the hunts for unicorns & dragons). Do you see modern fantasy fiction affecting human cultures today and how?
Long ago, fantasy literature (although not labelled as such) directly influenced culture. There was no scientific method – people were scared of the unknown (falling off the edge of a flat earth, comets, dragon hunts, witch burnings, etc.). Today fantasy literature only affects pop culture. Few people seriously believe “Winter is Coming”, but it’s still fun to say at cocktail parties to establish geeky credentials. 🙂
I’d have to say The Lord of the Rings. I read it in elementary school. Reading it again for the first time as an adult would be a very different experience.
Conventions, book signings, blogging, etc.: what are some of your favorite aspects of promoting a book and what are some of the least favorite parts of promotion?
For me, book promotion is the hardest part of indie publishing. There is always more to do, and if you’re not careful, it can drown out the time for writing. My favorite part is attending events where I can meet the authors and the readers who appreciate their work. I moderated a fantasy/science fiction panel at San Diego Comic-Con featuring award winning and NY Times bestselling authors David Brin, Jason Hough, Jonathan Maberry, Rachel Caine, Jim Butcher, and Marie Lu. That was also the initial public unveiling of Beyond the Pale. What’s not to like?
What book should be made into a game (card, PC, board, etc.) and why? Is there a specific character who you would want to play in this game?
Mistborn by Brandon Sanderson. In that classic fantasy, he writes about allomancers – wizards who gain power by ingesting small amounts of powdered metals. A game about how such wizards would fight each other could be cool. Maybe there is such a game, and I simply haven’t seen it. Another good choice would be the Iron Druid series by Kevin Hearne.
Who are your non-writer influences?
Great question. Certainly some illustrators have had a strong influence, like Maurice Sendak (yes, he wrote too), David Peterson (Mouse Guard), Aaron Becker (Journey). I’m also awestruck by people who are gifted in multiple disciplines, like Leonardo da Vinci or Seth MacFarlane (I never expected to put those two in the same sentence).
It would be fun to cosplay Nimpentoad, the protagonist of my fantasy early chapter book of the same name. But that would be quite an elaborate costume. My co-author kids and I enjoy attending conventions, and while we’ve occasionally worn armor and hefted fake weapons, I wouldn’t call it cosplay. We lack the dedication and time to create the truly inspired costumes that would qualify us for cosplay.
What reboots (or retellings) of classics have you enjoyed? Are there ones that haven’t worked for you?
I’m a big fan of retellings. I had the idea of retelling Mother Goose Nursery Rhymes from a fantasy perspective, swapping creatures for the human characters. When I researched the concept, I found a couple of books out there, but they didn’t work for me. The gauntlet was tossed. Our version, Monster Goose Nursery Rhymes, will be published by Pelican in 2015.
Rudyard Kipling’s Just So stories are justifiably acclaimed. But, having been written so long ago, the language is outdated and too complex for today’s younger readers. So, my sons and I indie-published a picture book version, How the Rhino Got His Skin. See www.birchtreepub.com.
Care to share an awkward fangirl/fanboy moment, either one where someone was gushing over your work…..or one where you were gushing over another author’s work?
It is always a pleasure to meet someone who was touched by my writing. That’s why authors write. Similarly, I’ve had my share of gushy fanboy moments meeting such inspiring authors as Jim Butcher, Kevin Hearne, David Brin, Orson Scott Card, Vernor Vinge, and Brandon Sanderson.
Lastly, please tell us a bit about the cover art for Beyond the Pale. Does it represent an overall concept for the book, or does it draw more on a single story contained in the anthology?
The cover art for Beyond the Pale represents an overall concept for the book. It’s entitled Snow White, and was done by Abigail Larson. She illustrated our picture book Monster Goose Nursery Rhymes. Love, love, love her dark style! If you agree it would look great on your bookshelf, please consider getting a copy via Amazon, Kindle, or www.birchtreepub.com.