Saturday of Bubonicon 2013 was an all day event, with the con suite opening at 9am. I opted to have tea in my hotel while messing around on the computer. 10AM brought about the first panel of the day: Short Fiction in the Era of Digital Publishing. Josh Gentry of SnackReads moderated this panel of Daniel Abraham (The Dragon’s Path), Suzy Charnas (The Holdfast Chronicles), Joan Saberhagen (manages the literary estate of Fred Saberhagen), and David Lee Summers (Owl Dance). This was a fascinating talk about how publishing has changed since ebooks came about, but also about how digital publishing has changed in the last few years and continues to change. Of special interest to this panel, was the subject of short fiction: how to sell it, should you sell it?, what format to provide it in, etc. Everyone agreed that ebooks were a great way to put an author’s backlist out there, but perhaps not the best way to become known as a new author (for a variety of reasons).
After that I bounced over to the 55 minutes with Walter Jon Williams. He was amazingly entertaining last year, doing the various voices for his characters in the short piece of fiction he read. I was hoping he would be just as charismatic again; he did not disappoint. His story, which will be published in a forthcoming anthology, was just a little longer than we had time for, but he paused in a good place. Of course this only added to my desire to pick up the anthology when it comes out. Let me just point out that I had a choice of listening to Brent Weeks for 55 minutes, or Walter Jon Williams. Sorry Brent, but I am sure you had plenty of fandom to glory in and my shy attention wouldn’t have added to it.
Back in the big main room, George R. R. Martin and Tim Powers had an hour long discussion about dark fantasy: Whatever Happened to Dark Fantasy. While I have read some of George Martin’s works going back to the Wild Cards days in my highschool days, I have not yet had the pleasure of reading Tim Powers’s works. Even with that bit of ignorance, the talk was fascinating. Both authors seemed to shy away from such categories as ‘dark fantasy’ or ‘horror fantasy’. I have to agree with them; having recently explored some H. P. Lovecraft works, ostensibly horror, I found them to be fantasy with some dark elements. Martin and Powers are discussed the differences between fantastical horror and psychological horror (where nothing magical is involved).
After all that sitting, I needed a walk, and what better place to walk than the art show. Lots of cutsy kitten & some magical or SF element art was on display. Some made me laugh out loud with the fun of it. Of course there was the requisite armed and nearly nude women that permeate the SFF world (some of which I appreciated, others I found improbable even with suspended disbelief). This year also had pottery and I loved that there were a variety of mugs named for Tolkien characters. While I bid on a few items in the silent auction, I failed to win any. Perhaps next year.
At the dealer room, I swung by Hadrosaur Productions and said hi to David Lee Summers. While we chatted, author Mario Acevedo happened by and stopped to chat. Of course I had to mention that I recently read his book, The Nymphos of Rocky Flats, and from there we were off on conspiracy theories involving aliens and such. The dealers room had several more sellers than last year, which was nice to see. I wandered, looking for a corset to amuse my man with. Alas, I only found a few and nothing that struck my fancy. Perhaps next year.
I sat in on David Lee Summers‘s 25 minute reading. He entertained us with a short bit from his novella Revolution of Air and Rust, which is a steampunk or alternate history set in early 1900s near the beginning of WWI. Having recently finished the Leviathan series by Scott Westerfeld, I really enjoyed the short bit that Summers shared with us. I’ll be picking up my copy for reading in the winter (when I have much more time for eyeball reading versus audiobooks).
On a whim, I then attended a writing workshop hosted by Diana Gabaldon, How (And How Not) To Write Sex Scenes. I don’t write, other than bloggity stuff and government reports (which may or may not be fiction), but I had not attended anything with Diana Gabaldon yet and didn’t want to miss out. The room filled completely. While we had a few minutes before beginning, Diana Gabaldon invited folks to come up and take pictures with her. I couldn’t resist, but the lady I passed my camera off to looked at it dubiously and caught me making a distressed face that could be mistaken for gas. It was way cool of Gabaldon to make the offer to the room. This was one of the funnest hours of the entire con. We laughed often and loudly. The room was full of women and a few brave men. I read a few of her Outlander books way back in college and recently reread the first book, The Outlander, so I had a good idea of her sex scenes. She gave a lot of great advice that was highly entertaining to even those who don’t have an interest in writing.
The last panel of the evening for me was Assassins & Serial Killers in Fantasy moderated by Brent Weeks (The Night Angel trilogy rocks!). Diana Gabaldon, Darynda Jones (Charley Davidson series), John Maddox Roberts (well known for his SPQR series), and Melinda Snodgrass (who has done script writing for Star Trek: The Next Generation & other TV series) joined him. Once again, this was another great panel. Brent Weeks, well known for his assassin trilogy, was the perfect moderator, keeping the questions coming as the panel explored the various differences between serial killers and assassins. John Maddox Roberts pointed out that the traditional assassin, the hashashin, were folks who were called upon once in their life to take out one person, and then they were expected to die in the back blast of vengeance. The panel also explored the dark, disturbing attraction to serial killers whether in fiction or in the media.
After that was the mass autograph signing. I think I will do another post showing off the treasures I got signed as this post has grown a bit long. You can tell my enthusiasm though.